On a good night at the Santa Fe Opera the
elements will conspire to add a little something extra to the performance, some
well-timed lightning flashes, or a roll of thunder to underscore an ominous
pause in the score. On this particular evening the vigorous breezes from a
distant storm lent a certain authenticity to the chorus of buffeted sailors
that opens Wagner’s Der Fliegende Holländer; such elemental intrusions,
however, were decidedly less impressive than the taut dramatic sweep of Thomas
Guggeis’ musical direction or the sustained intensity of the central vocal
performances, either of which, on their own, would have been enough to
guarantee a memorable evening.
Der
Fliegende Holländer may be one of the world’s great
sea-faring operas, but the staging of David Alden dispensed quietly with the
maritime setting, situating the action…
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