Don Giovanni
last appeared on the stage of the Santa Fe Opera in 2016, and while that
production was unquestionably entertaining – as Don Giovanni so often is
– the new production at this year’s summer season was superior in every
way: the staging, directed by Stephen Barlow, offered an intriguing
transposition of the story from seventeenth-century Seville to Victorian
London, but it was the energetic musical direction of Harry Bicket and the
dedication of a uniformly strong ensemble cast that kept Mozart’s score at the
centre of the evening.
Although Don Giovanni continues to flourish
in meticulously-realised period stagings, Da Ponte’s libretto – based on a
tale which had already received countless retellings since its earliest written
appearance in the 1630s – is flexible enough that it can work equally well in all
manner of…
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