When Wolfgang Rihm died in July of this year
he had just been named composer-in-residence for the Berlin Philharmonic’s
24/25 season. The concert on this evening, given as part of Musikfest, was
intended as the first in a series of programmes featuring vocal, orchestral and
chamber works from throughout Rihm’s musical life; instead it was dedicated to
his memory. Nor was this the only in memoriam concert at this year’s
Musikfest: other evenings were devoted to the recently departed composers Kaija
Saariaho, Peter Eötvös and Aribert Reimann. But if the passing of Rihm gave the
first part of the evening a sombre cast, the performance of IN-SCHRIFT led
by Kirill Petrenko served as a fitting tribute to an extraordinary career.
IN-SCHRIFT,
written in 1995 and composed specifically for the acoustics of San Marco in
Venice, is listed as being…
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